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The designs and the cinematography also clash in an incredibly bizarre way. No matter what Dunaway does with it, she can NEVER seem less than wildly overwrought in comparison to the rest of the cast, and the effect is very peculiar indeed. This must have seemed like a good idea in theory, but it proves a terrible mistake in actual fact. But it would seem Perry sought to heighten the effect: the rest of the cast is extremely, extremely restrained. Joan Crawford was a larger-than-life personality the role is written to reflect this Dunaway plays the role as it was written. Infamous lines such as "No More Wire Hangers Ever," "Tina! Bring Me The Axe," and "I'm Not Mad At You, I'm Mad At The Dirt" have become a staple of every drag queen from Maine to California.īut the ultimate disaster here is director Frank Perry. This is particularly true of the dialogue assigned to Dunaway. The most obvious is the script, which is extremely inconsistent in quality and yet perversely consistent in a style that can only be described as soap opera hot-house to the nth degree. Seen today, it is easy to identify the core problems of the film.
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Whatever the case, Dunaway quickly developed a strategic silence about the film that she has maintained for some two decades. It was a humiliating experience for an actress particularly noted for her perfectionism, and rumor has it that Dunaway feels the film ended her career as a major film star.
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It is also true, however, that audiences howled with laughter at the film when it debuted, and although leading lady Faye Dunaway received a number of critical accolades for her performance as Joan Crawford, she also received an equal number of devastating reviews-and it was these that caught the spotlight. It is true that critics generally considered the film a failure, but many of them admired certain elements of it it is also true that box office fell below expectations, but it was not a box office disaster in the same sense as the 1980 HEAVEN'S GATE or the 1981 INCHON.
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#Mommy dearest 1981 download torrent movie#
Given the film's current cult movie status one is tempted to believe the 1981 MOMMIE DEAREST was a critical debacle and a box office fiasco. Reviewed by gftbiloxi 4 / 10 / 10 Mommie Deadly: An Alternate Reality In A Galaxy Far, Far Away I would ask the critics who poke fun at the film to go back and watch "Sunset Boulevard" again, a brilliant movie I've never heard a bad word about, go and revisit Norma Desmond and all of her vanity and psychosis, so haunting and unforgettable, and tell me again if Faye Dunaway's performance is over-acted. I love this movie, and it's one of those films I can watch again every few months. I honestly had no idea the film was so poorly received when it came out I was shocked. Even though most people apparently though the wire hanger scene was ridiculous, to me it rang absolutely true. I found her character's behaviors incredibly disturbing to watch, and incredibly cathartic, because I was raised a mother who Dunaway's character reminds me of often in this film. Faye Dunaway's performance is fearless, brutal, complex, even vulnerable, and absolutely unforgettable. Okay, I did think the young Christina Crawford was a little over the top, but I can completely believe that any daughter of a glamorous and pampered movie star would behave in much the same way. This film is in no way a comedy, nor "cult," nor overacted, nor deserving of any Razzies or any other such nonsense. Reviewed by dron8587 10 / 10 / 10 Unbelievable how misunderstood this film seems to have been.